100 - 76 - Great Films
100. JAWS (1975) (Ed.) U.S.
Director: Steven Spielberg
Screenplay: Peter Benchley (Based on his novel) / Carl Gottlieb / Howard Sackler
This world-famous classic from director Steven Spielberg, would probably be mounted on Hollywood’s Mount Rushmore as an entertainment milestone in Pop Culture history. The director was only 26/27 years old when he directed this film, his 4th on our list. Spielberg and music composer John Williams also credit each other for the film’s worldwide success. The three leads in the film, Roy Sheider (Brody), Richard Dreyfuss (Hooper) and Robert Shaw (Quint) are perfectly cast as the main characters. but the massive killer SHARK is really the main character. The film takes on high voltage after they charter Quint’s boat. It gives us something for everyone—Adventure, Horror, Drama, Suspense, Mystery, even Comedy, and it never lets up, building to a wonderful unforgettable climax. Can a local police chief, a marine biologist, and an old seafarer save the Long Island beach community from this larger-than-life creature?…A Heart-Pounding, QUINTessential Movie!
Link #1 The original trailer, 1975. Link #2 “You’re gonna need a bigger boat!” The boat, nearly immobilized- one of the most action scenes ever filmed! Link #3 Comparing scars for former encounters, and Quint’s (Robert Shaw) U.S.S. Independence experience.
https://youtu.be/WKuZJjPSLXQ?si=AL8iAm4o4XR9oO9S https://youtu.be/qCzncv0ISaE?si=djNLvQcLfeu-iRFo
99. THE BLACK STALLION (1979) U.S.
Director: Carroll Ballard
Screenplay: Melissa Mathison / Jeanne Rosenberg / William D. Wittliff
Amazing indeed is this family adventure film based on a novel, under the supervision of director Carroll Ballard, and with his extraordinary artistic touch becomes, surely, one of the most beautiful films ever made. With Caleb Deschanel’s impeccable cinematography, we follow young Alec Ramsey (Kelly Reno), from a voyage with his father (Hoyt Axton), until they are shipwrecked. Alec and a wild Arabian horse, Black (Cass Ole), are the only survivors on a remote desert island. The first hour of the film, almost totally free of dialogue, is a masterpiece of storytelling, as they slowly come to grips with a hopeless situation, and the wonderful friendship the develops between Alec and ‘the Black.’ Eventually, overcoming all obstacles, they are rescued, and with training by old, grizzled Henry, (Mickey Rooney), become champions at horse racing. Its trusting friendship, its sparse communication, make it a legendary movie, it demands to be watched…Truly Mesmerizing!
Link #1 The ship, the DRAKE, sinks, with only the Alec (Kelly Reno) & the Black surviving. Link #2 Alec learns through patience, to ride the Black on the island. Link #3 He courageously frees the horse from his bonds. Carroll Ballard’s superb direction. Link #4 Victory! Alec and the Black wins the horserace. Caleb Deschanel’s photography!
https://youtu.be/i6klSHVWbrk?si=Ds6CrSh-nWMjyGao
https://youtu.be/bdYiJgwzumg?si=tDpiuqAZVBIVYSy9
98. WITNESS (1985) (Ed.) U.S.
Director: Peter Weir
Screenplay: Earl W. Wallace / Pamela Wallace / William Kelley
This is director Peter Weir’s 4th listed film, dealing with an unexpected detour into the Pennsylvania Amish community as Harrison Ford stars as John Book, a tough city detective who is hiding for his life, healing from injuries suffered from crooked police officers and protecting an 8-year-old Amish boy, Samuel (Lukas Haas), who witnessed a murder. He also intensely falls for Rachel (Kelly McGillis), the boy’s mother. As a crime thriller it is among the best, the director takes us on a journey into another culture, clashing Peace against a world of Crime. Particularly great in supporting roles are Josef Sommer as corrupt police chief Shaeffer, his sidekick, McFee (Danny Glover,) and Jan Rubes as patriarch (Eli Lapp.) Maurice Jarre’s music is sparce and inspirational, John Seale’s cinematography is exceptional (Note the scene of the gently swaying wheatfield), and Thom Noble’s Oscar-winning editing is spot-on. The whole experience is Simmering and Spellbinding!
Link #1 John Book (Harrison Ford) makes himself known when the Amish come to town. Link #2 Young Samuel (Lucas Haas) recognizes someones picture. Link #3 Building the barn scene in one day in the Amish community.
https://youtu.be/6DkDGCI9fkc?si=z3iwwCiSBmLTV7g6
97. GREAT EXPECTATIONS (1946) U.K.
Director: David Lean
Screenplay: (Based on Charles Dickens novel) David Lean / Ronald Neame
Some classic novels seem to magically call out for translation to the screen—this is one of those stories! David Lean takes on the task with his 4th listed film, the beloved Charless Dickens classic story about an orphan boy from the countryside who is chosen to go to London with aid from an unknown benefactor, to become a gentleman. As we follow young Pip (Tony Wager) through his adventures and travails, John Mills assumes the adult role of Pip, with Jean Simmons as young Estella and Valerie Hobson in her adult role. Alec Guiness as Pocket, Francis L. Sullivan as Mr. Jaggers, Finlay Currie as Magwitch and Martita Hunt as Miss Havisham make the most of their supporting roles. The Oscar-winning cinematography by Guy Green is gothic, chilling and atmospheric with his use of shadows and high-contrast to enhance production, some of the most brilliant ever filmed. This film is now considered a Gold Standard as “Art”…Celebrated and Contemplative!
Link #1 Magwitch (Finlay Currie), escaped, gives young Pip (Anthony Wager) a task to preserve his “heart and liver.” Link #2 Young Estella (Jean Simmons) introduces Pip to Miss Havisham (Martita Hunt.) Scary atmosphere! Link #3 Pip (John Mills) as an adult, and his final confrontation with Miss Havisham (Martita Hunt)
https://youtu.be/eXyo68s-f1E?si=9-h-mKS-x3knyPnl
96. YOU CAN’T TAKE IT WITH YOU (1938) U.S.
Director: Frank Capra
Screenplay: Robert Riskin
With Frank Capra (his 4th film) at the helm, how can we not totally enjoy one of the greatest “screwball” comedies of all time? This Oscar-winner as Best Picture may seem somewhat dated, but it has so many things going for it, you can’t help falling in love with it. In fact, that’s what happens between Jean Arthur (Alice) and James Stewart (Tony.) The dialogue is driven by the two family patriarchs, Lionel Barrymore as Mr. Vanderhof and Edward Arnold as Mr. Kirby, who wants to buy the Vanderhof home to complete a real estate development. Setting the stage, it’s Joy against Wealth in a private war between the families, but in spite of all obstacles, will Alice and Tony’s love prevail? With eccentric supporting players such as Spring Byington, Donald Meek, Ann Miller, Mischa Auer and Samuel Hinds, Moss Hart’s beloved play becomes even a better movie. And the kid’s song, Polly, Wolly Doodle, takes on new meaning. The lesson learned?…Delightful and Embraceable!
Link #1 Tony (James Stewart), and his wonderful way of proposing to Alice (Jean Arthur.) Link #2 The making toys scene, watch the crow, and the contentment. Link #3 Final consent for the wedding - the Polly Wally Doodle harmonica duet. Pure joy!
https://youtu.be/L8YG_Fbpcm0?si=mrmplZSDBbcBsja3
95. ALL QUIET ON THE WESTERN FRONT (1930) U.S.
Director: Lewis Milestone
Screenplay: George Abbott / Maxwell Anderson / Del Andrews (Based on Erich Maria Remarque’s novel.)
Can a war film be considered an anti-war film, if told from the German point of view? Absolutely! By the end of this film, we are haunted by the human casualties, colossal waste and brutal reality as the global conflagration first known as “the Great War,” and later referred to World War I, unfolds before our eyes. Illusions of grandeur are spun in the schools by teachers and German military scholars—if they had only known the price to be paid—that very few would ever return, and those that did were forever changed! The constant fighting in the trenches truly exhausted the countries that fought, and they would not learn the lesson. In only 25 years they would be at it again! Lewis Milestone’s direction was superb as movies were changing from silent to “talkies.” Lew Ayers is excellent as a young Paul Baumer, as the young German soldier narrates the film to the end. For many decades this film was known as the…‘Touchstone’ of realism in War Films.
Link #1 Paul Baumer (Lew Ayers) returns to his school, on leave, telling the unflinching truth. Link #2 Over the top, into “No Man’s Land,” the realistic folly of trench warfare. Link #3 The final “butterfly” scene of soldiers in “All Quiet on the Western Front.”
https://youtu.be/rSPj_G2yVz4?si=EdyFL3-oaUYd5Jbb
94. THE PHILADELPHIA STORY (1940) U.S.
Director: George Cukor
Screenplay: Donald Ogden Stewart
If it’s witty dialogue and sophisticated iconic actors is what you’re after, this classic, screwball, romantic comedy rises to the top. George Cukor’s gifted direction puts three iconic stars on the front lines, Katharine Heburn as socialite Tracy Lord, whose impending wedding plans are torpedoed by charming ex-husband C.K. Dexter Haven (Cary Grant), arriving with tabloid reporter, Mike Connor (James Stewart) in an Oscar-winning performance. The screenplay also won an Oscar, based on Philip Barry’s play as Hepburn proved that comedy was a ‘gift,’ saving her career. Particularly great are Ruth Hussey as Elizabeth, Roland Young as Uncle Willie and child star Viginia Weidler as Tracy’s daughter, Dinah. The 1930/40s were blessed with “rom/coms” when the Movie Industry slowly pulled itself out of the Depression as the U.S. soon would enter into WWII. Repeated as the musical High Society in 1956, all’s well that ends well…Sparkling and Superlative!
Link #1 The arrival of the guests for the wedding, promotional trailer. Link #2 “How the mighty have fallen!” Dexter, Mike Connor and bride-to-be Kittredge compete for the same girl. Link #3 Tracy (Katherine Hepburn) and Mike Conner (James Stewart) ‘detour’ from the wedding, “You’re lit from within!”
https://youtu.be/RzoA_DAlfno?si=ENEq1DSMF1Y8tYK9
93. LES MISERABLES (2012) U.S.A.
Director: Tom Hooper
Screenplay: William Nicholson / (lyrics) Herbert Kretzmer / Claude-Michel Schonberg / Alain Boubil / Jean-Marc Natel
One of the longest running musical plays to ever grace the stage became an instant success as a motion picture. It transfers the Victor Hugo larger-than-life novel into an epic musical in which all dialogue is sung, not spoken. The payoff is intensely rewarding—we experience as a man spends his life redeeming himself from a lowly thief to a fugitive who redeems himself for decades by doing only good deeds. Hugh Jackman is Jean Valjean, Russell Crow is the ruthless Javert, always in hot pursuit, Ann Hathaway is Fantine, Amanda Seyfried as Cosette and Eddie Redmayne as Marius. Tom Hooper’s direction of the movie’s colossal panorama is amazing because he has all the characters really sing live on the set, rather than pre-record the studio tracks. Ann Hathaway’s Oscar-winning rendition of I Dreamed a Dream is exceptionally emotional, other standout songs in the movie are One Day More, I Dreamed a Dream, and Bring Him Home…The Show Must Go On!
Link #1 Multiple cast ensemble sing One Day More. Link #2 Jean Valjean (Hugh Jackman) sings Bring Him Home. Link #3 Fantine (Anne Hathaway) sings a stunning I Dreamed a Dream.
https://youtu.be/Sv-BxH3SVS8?si=nE1RYJQ81y028xA-
92. (STAR WARS: EPISODE V) THE EMPIRE STRIKES BACK (1980) U.S.
Director: Irvin Kershner
Screenplay: George Lucas / Leigh Brackett / Lawrence Kasdan
What makes this sequel to Star Wars: A New Hope so special? Most of the worldwide fanbase not only love it—they cherish it and think it’s as good as the original! Harrison Ford, Mark Hamill, Carrie Fisher, Alec Guiness reprise their original roles, James Earl Jones lends his magnificent voice to Darth Vadar and we still have CP30, R2-D2, Yoda and Chewbacca. Many other characters have been drawn into the mix and as the 4th entry as Sci-Fi / Adventure / Drama, and as George Lucas’s 2nd entry, time has, indeed, been good to it. A little darker, a little more mature, it covers the Rebel Alliance and their pursuit by the Empire, as our ‘good guys’ learn to protect themselves under Jedi Master, Yoda, leading eventually to a climax with th Force of Darth Vadar. The extraordinary success of this addition was relentless, backed again by powerful symphonic mudsic of John Williams’ soundtrack, its superb special and sound effects—One of the best sequels ever!…A Masterpiece!
Link #1 Luke Shywalker (Mark Hamill) encounters the Wampa. Link #2 Forced betrayal by Lando Calrissian (Billy Dee Williams) has no choice against Darth Vadar (James Earl Jones) and Boba Fett. Link #3 The Rebel Alliance battle the Imperial Walkers. Link #4 Darth Vadar’s symphonic theme, The Imperial March.
https://youtu.be/YxsdKlx-BN4?si=873ha1tmRPowctyt
https://youtu.be/V9qc3TJ_v3E?si=X1u7dZgKfYgL811A
91. ROME - OPEN CITY (1946) Italy
Director: Roberto Rosellini
Screenplay: Sergio Amidei / Federico Fellini
This was one of the most influential of all the films in the new form of cinema called Neorealism in Post-War Europe, along with his war trilogy, Paisan and Germany - Year Zero. Notice the gritty documentary style, the use of shadows in deep focus, and innovative camera techniques filmed in a landscape of World War II rubble. The story depicts the struggle of Nazi Resistance leader (Marcello Pagliero), joined by a priest (Aldo Fabrizi) and a woman, Pina (Anna Magnani), in a breakout performance leading to her international stardom. In their struggle to escape the Nazi occupation, great sacrifices are made, and the acting is realistic, authentic and it’s the Italian stars who shine. The Roman ruins before the great cleanup, serve as a backdrop to countless fact and fictional stories such as this one, and those who survived Mussolini’s Fascism. As we experience this open window of history, we are transferred back in time…An Italian Masterpiece!
Link #1 The Original Trailer - Rome - Open City. Link #2 Pina (a luminous Anna Magnanni) & Luigi (Marcello Pagliero) converse on the effects of the war in Italy with the Nazis.
90. BABE (Partial Ani. & CGI) (1995) Austra. / U.S.
Director: Chris Noonan
Screenplay: Chris Noonan / George Miller
In one of the most delightful, amazing G-rated movies ever made, this Australian film doesn’t just entertain children, it offers rewarding life lessons to adults as well, without condescending—in short, it’s a perfect family film—every grown-up child should see it! With extraordinary use of CGI and Animatronics, the darling pig comes alive, with Chris Noonan’s sensitive direction with wonderful performances by James Cromwell as farmer Hoggett, Magda Szubanski as Mrs. Hoggett, and Christine Cavanaugh as the lovable voice of Babe. From piglet to adulthood, Babe’s narration takes on a wondrous adventure as she becomes a champion sheep-herding pig at the desire and training of Mr. Hoggett. This beloved story, based on a book Dick King-Smith, takes on a journey as we experience an ‘Animal Farm’ where determination and kindness can overcome our differences and prejudices. The result, Farmer Hoggett reminds Babe, “That’ll do pig, that’ll do.”
Link #1 Great moments from Babe, meaningful, wonderful, adorable! Link #2 The pig who becomes a shepherd. The Finale!
89. FRANKENSTEIN (1931) U.S.
Director: James Whale
Screenplay: John L. Balderston / Francis E. Faragoh / Garret Fort (Adapted from Mary Shelley’s novel in 1818.
This horror / science-fiction classic, adapted from Mary Shelley’s 1818 novel, was the first gothic horror novel written by a woman. With James Whale’s visionary astute direction, the film became an iconic landmark and for decades, considered one of the best masterpieces among horror / sci-fi movies, effecting pop culture and solidifying its place in the history of film. Practically everyone is familiar with the story, and its main players, Boris Karloff becomes the ‘monster,’ Colin Clive is Doctor Frankenstein, Dwight Frye is Fritz and Mae Clarke is Elizabeth. The flat-headed creation by Dr. Frankestein with bolts in his neck, at first, doesn’t mean any harm, but fire changes everything! The short film was only 70 minutes long, and its most noted quote is perhaps, "It’s alive! It’s ALIVE!” In retrospect, it is probably the most influential film in the horror / mystery class, spawning a genre that’s been repeated…repeatedly…Stunning Impressionism and Cinematography!
Link #1 The famous “It’s alive! IT’S ALIVE!” scene. The Monster (Boris Karloff) Link #2 The monster makes a friend, Maria the little girl. Link #3 The Official trailer - 1931.
https://youtu.be/QzkZJUvIxvc?si=9eslkjxzCtCrfmMH
88. DOCTOR ZHIVAGO (1965) U.K.
Director: David Lean
Screenplay: Robert Bolt (Based on Boris Pasternak’s book)
Some epic films demand of the viewer to be seen on the wide screen with jaw-dropping appreciation, this is one of those films! Director David Lean’s 3rd entry on our list proves to be spectacular, by painting WW1 and the Russian Revolution with a broad-brush stroke, covering the Russian Steppes and the frozen North as he did with the desert in his Lawrence of Arabia. Maurice Jarre’s soundtrack, Freddie Young’s camera work, Robert Bolt’s screenplay, all contribute to this film of epic proportions. The acting fleshes out the characters, especially Tom Courtenay, Rod Steiger, and Alec Guiness, but it’s the love triangle takes over the lives of Omar Sharif, Julie Christie and Geraldine Chaplin. Some of the film’s unforgettable scenes include an elderly couple embracing on an over-crowded train, an ice-covered soldier frozen to his gun, a field of daffodils blooming as far as the eye can see—and the sumptuous, best-selling soundtrack that moves the film…So Captivating!
Link #1 Yuri (Omar Sharif) and Lara (revisits his frozen house, and Maurice Jarre’s glorious music score, “Laura’s Theme.” Link #2 The train passes through the bombed-out village. Link #3 Confusion on the road, the Revolution sparks violence.
https://youtu.be/7QkJjWIHFSA?si=LPm1oa6uuvF5wWYr
87. THE GODFATHER PART ll (1974) (Ed.) U.S.
Director: Francis Ford Coppola
Screenplay: Mario Puzo / Francis Ford Coppola
Director / Producer Fraancis Ford Coppola somehow pulled off one of the greatest achievements in movie history when he decided to make a sequel to his 1971 film, The Godfather, which really is a prequel. Intertwining Mario Puzo’s book of tracing the young Don Vito Corleone (Robert DeNiro), formerly played by Marlon Brando, his beginning in Sicily, and also covering the rise of Michael Corleone (Al Pacino) as the new crime boss in the early 1950s. Such attempt had never been done previously for the 3/5-hour film, pulling you into a time capsule showing the corrupting influence of crime families, exploring power, loyalty and the so-called ‘American Dream.’ It won 6 Academy Awards, including a 10-minute part showing production design of Little Italy in New York, and the Congressional hearings are re-created with stark realism. Warning! So is the realism of violence—not for the squeamish! Nino Rota’s music…Wow!…A Celebrated Landmark in Cinema!
Link #1 Don Vito Corleone (Robert DeNiro) asks a favor for Senora Columbo in Little Italy. Link #2 Michael Corleone final conversation with his brother, Fredo (John Cazale). Link #3 The trial before Congress of Michael Corleon—and his defense.
https://youtu.be/2k04Z0hZetU?si=oxHqNmvSvsMI8aJz
86. THE HEIRESS (1949) U.S.
Director: William Wyler
Screenplay: William Wyler / Ruth Goetz / Augustus Goetz
We honor the “master craft” of William Wyler with his 3rd entry as a director. He won 3 Academy Awards as Best Director out of 13 nominations, a record for his 40 years. It shows here—Olivia DeHavilland as Catherine Sloper, in an Oscar-winning performance, transforms from a plain, shy, ignored spinster, to a jilted hard woman who only has money and her ‘embroidery’ to keep her company. The film is a great character study of how the cruelly, psychologically-abused daughter of a greedy selfish father (Ralph Richardson) could ruin her chance of being a woman and a wife, and how her suiter, Morris Townsend, played by Montgomery Clift, could have made her happy—or could he? Mirium Hopkins as Lavinia is exceptional and Aaron Copeland’s music score, perfect! Based on a Henry James’ novel, Washington Square, this period drama deals with fragile relationships, and their attempt at future happiness, or is it loneliness? And the ending is…Unforgettable!
Link #1 Finally the father (Ralph Richardson) tells Catherine, his daughter, what he really thinks about her. Link #2 Dr. Sloper and Catherine examine Morris Townsend’s (Montgomery Clift) visit as a ‘suiter.’ Link #3 Catherines final judgment, refusing to see Morris—”I’ve been taught by masters!”
https://youtu.be/QFHxyxeqGgU?si=JtHmLghgMFZPepHh
85. IT HAPPENED ONE NIGHT (1934) U.S.
Director: Frank Capra
Screenplay: Robert Risken
This Romantic/Comedy Classic marked a decade in which some of the greatest movies were Comedy films, This one was so exceptional in 1934 it won all the main Academy Awards—Best Picture, Best Director, Best Actor, Best Actress and Best Adapted Screenplay, something that’s only happened twice since then. Clark Gable as a roguish news reporter, Peter Warne and Claudette Colbert as ‘Ellie’ Andrews, as a suppressed socialite trying to escape her father’s influence, are outstanding in their roles of this great “screwball comedy,” one of the best ever made. Walter Connelly as Elie’s father is a joy in his moments of exasperation. It’s influence on the subsequent comedies thereafter gave the Movie Industry its effect on Pop Culture perhaps like no other film, almost as if setting the standard for hilarious comedies that filled the theaters, like cartoons. Comedy seldom wins acting awards, but director Frank Capra has the cast cooking in situational one-liners…So Funny!
Link #1 Peter (Clark Gable) attempts to teach Ellie (Claudette Colbert) how to “hitchhike.” Link #2 Peter has a heart to heart talk with Elie’s father (Walter Connolly). Link #3 The unforgettable wedding scene.
https://youtu.be/Wcrth90C3D4?si=jyxkFn47GOay587i
84. GROUNDHOG DAY (1993) U.S.
Director: Harold Ramis
Screenplay: Harold Ramis / Danny Rubin
Harold Ramis’s Fantasy/Romantic/Comedy grows more and more on you with each passing year, even with repeated viewings. It is so cleverly conceived that each day when cynical weather reporter, Phil Conners (Bill Murray) wakes up, and Sonny and Cher’s song, I Got You Babe, serves as the wakeup call for his reliving the same day, repeatedly again, it gets funnier each time. His producer, Rita (Andie McDowell) slowly becomes the object of his desire, and like all great rom/coms, and against all odds, they fall in love. As Phil relives each day in his time-loop, he’s challenged before learning to overcome his selfishness, philosophical differences and self-destructive ways, replacing it with kindness, redemption and self-improvement. This movie has become a classic and it has multitudes of jaw-dropping, funny scenarios which contribute to Bill Murray’s wistful, iconic moments…One of the best films of the 1990s…Celebrated, Contemplative and Wonderful!
Link #1 A montage of some of the best scenes from Groundhog Day, Phil Conners (Bill Murray) and Rita (Andie McDowell.) Link #2 Phil runs “errands,” caught in the same day, over and over and over and over again. Link #3 The ‘French Poetry’ scene.
https://youtu.be/lZO3OjrmJQg?si=BTlFduD2QIAd8KQR
83. SHANE (1953) U.S.
Director: George Stevens
Screenplay: A. B. Guthrie / Jack Sher
Part of the culture of American films was the abundance of Westerns that shaped the movie industry. This 3rd entry listed transcended the multitudes of the genre, it became legend, being nominated for numerous Academy Awards and directed by one of the most meticulous craftsmen of films, George Stevens. It was not not so much a Western as it was a Frontier piece, an open window to the Grand Tetons, after the Civil War ended. Alan Ladd is prefect in the title role, as is Van Heflin as Jo Starrett, Jean Arthur as Marion, his wife, Brandon DeWilde as Joey, and an especially menacing Jack Palance as hired gun, Jack Wilson. Loyal Griggs excels with his Oscar-winning cinematography, in one od the most beautifully shot Westerns ever, and Victor Young’s music score is unforgettable. This Western was a landmark for authentic realism, and the emotions and uncertainty felt by early settlers. Who can forget young Joey’s plea as Shane rides away, “Shane, come back.”
Link #1 Chris (Ben Johnson) insults, picking a fight on Shane, who shows great restraint, at Grafton’s Store. Link #2 The bar room fight in the saloon, Joe Starret (Van Heflin) comes to Shane’s aid over the Rykers. Link #3 Shane finally meets up with Jack Wilson (Jack Palance) in Grafton’s Saloon.
https://youtu.be/0TjrNjcFv_A?si=H7LXNWACkfgM5AxD
82. DEAD POET’S SOCIETY (1989) U.S.
Director: Peter Weir
Screenplay: Tom Schulman
This exceptional movie has it all, drama, comedy, tragedy, and all at a New England boarding school for boys! In one of the finest films about the relationship between students and teacher ever made, we experience the triumphs, the heartaches, the experiences and his education techniques. As Mr. Keating, Robin Williams gives an inspirational performance—he returns as a POETRY teacher with unorthodox methods, teaching his classes to “think for themselves,” as they approach and find their place in the world. Standouts are the young actors, Ethan Hawke, Robert Sean Leonard, Josh Charles and Gale Hanson. Peter Weir’s 3rd listed film became a masterpiece, and this second students / teacher film, including Goodbye Mr. Chips, credits Tom Schulman’s memorable quotes in his wonderful script. Accolades to Maurice Jarre’s sensitive, minimal music score, and also John Seale’s gorgeous cinematography. We get it! “Carpe Diem! Seize the Day!”
Link #1 Mr. Keating (Robin Williams) introduces POETRY, to his new class. Link #2 Neil Perry (Robert Sen Leonard) seizes the day with independent thinking—Jubilation and Disappointment! Link #3 Final scene, “Oh Captain, My Captain!” Todd Anderson (Ethen Hawke) stands first, others follow, in spite of Mr. Nolan (Norman Lloyd’s) pleadings.
https://youtu.be/-7OE6bDfM2M?si=vtvsRd38BeeHDI-B
81. THE KILLING FIELDS (1984) (BST) (Bio.) (Ed.) U.K.
Director: Roland Jaffe
Screenplay: Bruce Robinson (Based on the book by Dith Pran)
Based on true events, this remarkable biographical story proved true stories make the best films. War correspondent, writer Sidney Schanberg (Sam Waterston), covering the Civil War in Cambodia, his loyal interpreter Dith Pran (Oscar-winning Haing S. Ngor), accompanied by American photographer, John Rockoff (John Malkovich), find themselves too close to the invading forces as the Khmer Rouge rolls in. Rather than a War story in 1975, it’s becomes a trustworthy experience about personal sacrifice and the loyal friendship between Sidney and Dith Pran, one of the strongest ever portrayed on the screen. Roland Jaffe’s superb direction, Mike Oldfield’s (Tubular Bells) urgent and haunting music score, and Chris Menges splendid cinematography, add up to an unforgettable film experience. The violence is more authentic than graphic, and you can feel the terror from start to finish…Their reuniting at the end is powerful…with John Lennon’s Imagine!
Link #1 The Official Trailer in 1984. Link #2 Sidney and Dith Pran’s final reunion at the refugee camp at the Thai border…John Lennon’s Imagine!
80. THE MALTESE FALCON (1941) U.S.
Director: John Huston
Screenplay: John Huston / (Based on the novel by Dashiell Hammett)
Meet Humphrey Bogart as Sam Spade, a private eye movie that satisfies everyone. One the best of all landmark film noir mysteries, it has everything going for it, a jewel-encrusted statuette, and a crime against his former law partner, a complex plot with great dialogue and a cast of eccentric characters including Mary Astor, Sidney Greenstreet, Peter Lorre, Elisha Cook Jr. and Ward Bond. The cast seems to relish double-crossing each other, and the sparkling play on words flow with every twist and turn. John Huston’e debut as a writer and director is exceptional here—this flagship of a movie launches film noir into America’s movie mainstream for the next 25 years. As ‘Bogie’s’ 2nd listed film, he solidifies his stardom, placing him as one of the most iconic of American actors for better than 30 years. Who else can we think of at the film’s conclusion, as the man who reflects on the falcon as, “The stuff that dreams are made of.”…A Magnum Opus of Mysteries!
Link #1 Great quotes from the Maltese Falcon. Link #2 Sam Spade (Humphrey Bogart) meets Joel Cairo (Peter Lorre). Link #3 Sam Spade meets Mr. Gutman (Sidney Greenstreet.)
https://youtu.be/sGuNGXmQZSE?si=-KEcjsX7pvF7fm8z
79. TOKYO STORY (1953) Japan
Director: Yasujiro Ozu
Screenplay: Yasujiro Ozu / Kogo Noda
In the years following World War II, this Japanese director’s legacy survived the country’s destruction by his humanistic, dramatic character studies, comprising his peek into the everyday life of Japan’s families and their humble, ordinary but meaningful existence. This is such a film—no car chases, no explosions, no killings, rather a study of a new generation of busy people, inconvenienced by the visit of their aging elderly parents, from their seaside village. This film beautifully explores the Generation Gap, asking the viewer to exercise patience, and follow its poignant minimal scenes of a family drifting apart. You will empathize and hurt for the two parents played by Chishu Ryu and Chieko Higashiyama, as they tolerate the indifferance of their offspring. As a work of art, the film has aged so well with the passing of time that many film historians now consider it one of the greatest films ever made. The film rewards us…Splendid, Impactful and Influential!
Link #1 A little over 4 minutes of Black and White Cinematography by Yuharu Atsuta, music Takanobu Saito. Link #2 The final scenes of Yasujiro Ozu’s elegant touch as an artistic director.
78. GRAVITY (2013) (Ed.) U.S. / U.K.
Director: Alphonso Cuaron
Screenplay: Alphonso Cuaron / Jonas Cuaron
Mexican film director, Alphonso Cuaron, proved himself not only an artisan, but a technological craftsman / genius with this Sci-Fi, Survival, Drama. High avove the Earth’s atmosphere, a space shuttle is unintentionally endangered and then destroyed by a Russian satellite that desintergrates into space wreckage…which flies inorbit at the speed of a bullet. We become eyewitnesses to one of the most astonishing 13-minute opening continuous scenes in movie history. Separated from ecah other, Dr. Ryan Stone (Sandra Bullock) and Matt Kowalski (George Clooney) are imperiled from that moment on to an edge-of-your-seat, off-balance movie experience. She won an Oscar for her role—she exhibits every emotion imaginable. Could she become the victim…or a hero? This movie won 7 Oscars, including best picture, and especially noteworthy is Immanuel Lobeski’s cinematography and Stephan Price’s orginal score…An Exhilarating Film Experience!
Link #1 Part of the opening sequence, The Explorer is hit by space wreckage, Dr. Stone’s (Sandra Bullock) & Matt Kowalki (George Clooney.) Link #2 Dr. Stone’s re-entry into the capsule. Link #3 Her sensational entrance into Earth’s atmosphere and landing.
https://youtu.be/FFajH1aCvDY?si=p6GfSoml31IqxDMu
https://youtu.be/LmfWJhYranw?si=_9bBikte-x7MGmPj
https://youtu.be/rdBnh7hQtso?si=qYZJSu4I3zlitS-H
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77. FINDING NEMO (2003) (Ani.) U.S.
Director: Andrew Stanton / Lee Unkrich
Screenplay: Andrew Stanton / Bob Peterson / David Reynolds
Andrew Stanton, Lee Unkrich, along with 2 other writers, teamed up and wrote one of the funniest, most entertaining animated features of all time. As Pixar grew, Disney had to be part of this new form of animation, so they combined forces. Disney bought Pixar, becoming the most successful animated studio in the history of films, with chuckles turning to laughter as each Pixar film made tons of cash. Box office receipts made over 900 million dollars on this film alone, opening the door for foreign countries’ studios. The hilarity comes from the writing and the personality of the characters, with Dory (Ellen DeGeneres), Marlon, Nemo’s dad, (Albert Brooks), Nemo (Alexander Gould) and a host others. Even the humans are awesome, (For example in the Dentist’s office.) John Lasseter’s production team was absolutely dazzling, and this movie is beloved by everyone! And of all the quotes, we like, “I shall call him Squishy.” …Legendary and Unforgettable!
Link #1 Opening sequence - Nemo’s parents celebrate their babies and the barracuda attack, mother disappears. Link #2 Marlon (Albert Brooks), Nemo’s father, meets Dory (Ellen DeGeners), introducing, “Short Term Memory Loss.” Link #3 Nemo, (Alexander Gould), visits the dentist - his attempted escape. Link #4 Marlin and Dory’s close encounter with the seagulls, “Mine, Mine, Mine!”
https://youtu.be/GWYQ5_kdqrs?si=r9q9etAHTTelfv8d https://youtu.be/bB_8avdEfTM?si=_d8B6Js4OxWpP7Mk https://youtu.be/ubjF4bFTNEI?si=QbaRm87Q0ZBNH1yf https://youtu.be/1ByW56nQTd8?si=g6ciGNvxZbya8LSj
76. A MAN FOR ALL SEASONS (1966) (Bio.) U.K.
Director: Fred Zinnemann
Screenplay: Robert Bolt
Fred Zinnemann’s 2nd film listed is a 1535 period drama of the conflict that developed between Sir Thomas More (Paul Scofield), loyal advisor and subject to King Henry VIII (Robert Shaw). Standing in his way is a stern, plotting Church of England statesman, Thomas Cromwell (Leo McKern), a stubborn Cardinal Wolsey (Orson Welles) and an unsteady best friend, the Duke of Norfork. Thomas breaks with the King, who appoints himself as Head of the Church of England. Thomas doesn’t approve of the King’s divorce to Catherine of Aragon to marry Anne Bolyn, to provide him a son as an heir. The film is a stellar character study of how Sir Thomas, a man of sincere integrity, does not betray his own conscience. British stage actor, Paul Scofield graces us with one of the greatest Oscar-winning acts ever put on film. Windy Hiller as the neglected wife is stellar as well…an authentic look into England’s past…He becomes “the King’s Loyal Subject, but God’s First!”
Link #1 King Henry VIII (Robert Shaw) tries to convince Thomas More (Paul Scofield) to side with his decision. Robert Bolt’s screenplay “Shines.” Link #2 Thomas tries to comfort his wife, Alice (Windy Hiller). “Oh, you’re an honest woman.” Link #3 Thomas is grilled by Cromwell’s ‘gang of three,” with the Archbishop of Canterbury and the Duke of Normandy, to trick him into a trial for treason.
https://youtu.be/2L7Z26ZvAxg?si=geHN1hxgiNYK207L
